· By Tyler Johnson
The New Yorker: Eddie Palmieri Says Don’t Call It a Comeback
Eddie Palmieri: A Revolutionary Force in Latin Music
Eddie Palmieri, at 87, remains a towering figure in Latin music and jazz. From his early days in Spanish Harlem to his revolutionary compositions, Palmieri has continually pushed musical boundaries, blending Afro-Caribbean rhythms with jazz and addressing social and political themes through his work.
At his suburban home in Hackensack, New Jersey, Palmieri reflected on his enduring career. His living space, filled with records, compositions, and books, reflects a life deeply entwined with music and intellectual exploration. A grand piano dominates the room, symbolizing his dedication to his craft.
Palmieri’s music often carries influences from Afro-Caribbean religions, particularly the Yoruba orisha Osaín, whose mystical presence inspires his work. Despite challenges in his career, including the dissolution of his band La Perfecta and industry struggles, Palmieri forged a path defined by innovation and independence. His 1971 album "Harlem River Drive" and the anthem "Justice" exemplify his fusion of artistry and activism.
Despite rejecting the "salsa" label as marketing jargon, Palmieri is regarded as one of the genre’s founding fathers. He views his music as "revolt con swing," deeply rooted in tradition yet fearless in experimentation. Albums like "Justicia" and "Vámonos Pa'l Monte" have cemented his legacy as both a musical innovator and a cultural activist.
Today, Palmieri continues to mentor younger musicians, describing them as his "stimuli." His live performances are characterized by spontaneity and collaboration, reflecting his belief in the tactile, communal essence of Latin music. At the Blue Note, he joked about his enduring presence, stating, "We’re gonna be here for the rest of my life."
For a deeper dive into Eddie Palmieri’s incredible journey, read the full article on The New Yorker.